Visual Fugues
In 2015 I began an artistic study of the Euclidean concepts of translation, reflection, and rotation. Using a system of connecting circles placed at the edges of 2 or 4 equal sized canvases allows the pieces to be reconfigured, maintaining continuity from panel to panel. In the 4 panel pieces, elements of the 2x2 matrix can be switched left to right and top to bottom yielding 4 unique images. In the two panel pieces, 4 unique images can be made by rotating each panel in place. The geometry has been designed to recombine, often in surprising puzzle-like ways. Imagery of eyes, lips, faces, and heads, repeat in variations that chase each other around psychedelic landscapes, which I now call "Visual Fugues".

Website Notes
The Nearvana web layout tool was used to create the a series of different views of the same images/data. Using the previous/next buttons steps thru a series of re-interpretations of the layout. The interplay of web techniques and original images are meant to be playful and engaging. It was designed for a screen with a width of 1200 pixels.

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111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111About Franz Zappuccino aka Zewsk111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 trained in classical piano as a child 111111 111111 111111 111111 111111 111111 11111 111111 111111 student of Mathematics as a young adult 111111 1111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 composer of many piano pieces, free improvisations, and band arrangements 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 J. S. Bach, Chopin, and Beethoven remain important influences 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 computer scientist with over 20 years in the world of requirements, data, code, process and procedure 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111 111111
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arting space zarto nline BSF arting space zarto nline arting space why not a fugue contact
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